Rivaling Reality

60 Years of Photorealism
28 FEBRUARY  – 02 AUGUST 2026
 

Since antiquity, the detailed reproduction of nature has been one of the key concerns of the craft of painting. In the art of the 20th century, no other movement pursued this rivalry with reality as programmatically as American Photorealism. As a reaction to Abstract Expressionism, artists such as Richard Estes, Audrey Flack, Ralph Goings or Ron Kleemann returned to figurative painting, seeking to compete with the medium of photography in its precision and pictorial prowess. Banal motifs from everyday American life became the trademarks of these highly ambitious artists, who located the power of images not in the subject itself, but in its astonishingly illusionistic reproduction. The exhibition explores the evolution of the movement, at times also referred to as Hyperrealism, from the 1960s through to the present day, bringing together well over 90 carefully selected masterpieces.

The numerous international lenders include the Museo Nacional Thyssen-Bornemisza in Madrid and the Whitney Museum of American Art in New York. Works by more than 30 artists are on display, including paintings by John Baeder, Robert Bechtle, Charles Bell, Roberto Bernardi, Tom Blackwell, Robert Cottingham, Don Eddy, Richard Estes, Audrey Flack, Ben Johnson, Ralph Goings, Richard McLean, Malcolm Morley, Ron Kleemann, Karin Kneffel, Gerhard Richter, Raphaella Spence, and Craig Wylie.

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Exhibition Film


Audioguide

The audio guide of the Transformers show delves into the experimental and animated nature of this radical exhibition. In four in-depth conversations, exhibition curator Udo Kittelmann investigates aspects and issues regarding artificial intelligence. These stimulating and inspiring conversations explore often surprising thoughts on “what if” scenarios in a radically changed future.
Louisa Clement (b. 1987 in Bonn, Germany) graduated from Düsseldorf art academy in 2015. Will machines become our doppelgangers? In this conversation, Udo Kittelmann and Louisa Clement speak about digital footprints, adaptive AI, digital networks, and isolation, sharing thoughts equally intriguing and disconcerting about three-dimensional likenesses.
Annemie Vanackere is a Belgian festival curator and theater director. Since 2012 she has been the director and CEO of the theater Hebbel am Ufer in Berlin. In addition to discussing the impact that the technologization and digitization of our lives has on the performing arts, Kittelmann and Vanackere talk about multiple intelligences and empathy.
Dr. Clara Meister is an international curator. Her curatorial work focuses on topics of translation, language, and music. In this conversation, Udo Kittelmann and Clara Meister explore the relationship between technology and nature, questioning technological progress and advocating more space for plant and other nonhuman intelligences in handling technological progress.
“Why are humans not content with themselves?” Alice Lagaay is a philosopher who is actively involved in developing performance as an interdisciplinary field of research. In this conversation on Jordan Wolfson’s animatronic sculpture Female Figure, Kittelmann and Lagaay discuss issues such as technological self-manipulation, the alluring and overwhelming qualities of machines, and the misogynistic aspects of the work.



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