IMPRESSIONISM IN GERMANY

Max Liebermann and his times
03 OCTOBER 2025 – 08 FEBRUARY 2026
 

Until today the colorful imagery of Impressionism fascinates like no other art movement. The new type of painting, which emerged in 1860s France, is characterized by vibrant, high-keyed colors and the deployment of energetic, sketch-like brushstrokes. With Max Liebermann (1847–1935) as its famous figurehead, the revolutionary movement soon became the leading avantgarde in the German Empire. In terms of motifs, its artists explored a wide range of themes – from sun-drenched landscapes and atmospheric figure paintings to carefully arranged still lifes. The exhibition is a cooperation with the Museum Barberini in Potsdam and brings together around 100 masterpieces of German Impressionism – in addition to key paintings by Max Liebermann also numerous works by colleagues such as Lovis Corinth, Philipp Franck, Dora Hitz, Gotthardt Kuehl, Sabine Lepsius, Eva Stort, Max Slevogt, and Fritz von Uhde.

The more than 40 international lenders include the Alte Nationalgalerie in Berlin, the Galerie Neue Meister in Dresden, the Folkwang Museum in Essen, the Städel Museum in Frankfurt am Main, the Hamburger Kunsthalle, the Neue Pinakothek in Munich, the Musée d’Orsay in Paris as well as the Belvedere in Vienna. 

The exhibition is under the patronage of the German Federal President, Frank-Walter Steinmeier. 

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Exhibition Film


Audioguide

The audio guide of the Transformers show delves into the experimental and animated nature of this radical exhibition. In four in-depth conversations, exhibition curator Udo Kittelmann investigates aspects and issues regarding artificial intelligence. These stimulating and inspiring conversations explore often surprising thoughts on “what if” scenarios in a radically changed future.
Louisa Clement (b. 1987 in Bonn, Germany) graduated from Düsseldorf art academy in 2015. Will machines become our doppelgangers? In this conversation, Udo Kittelmann and Louisa Clement speak about digital footprints, adaptive AI, digital networks, and isolation, sharing thoughts equally intriguing and disconcerting about three-dimensional likenesses.
Annemie Vanackere is a Belgian festival curator and theater director. Since 2012 she has been the director and CEO of the theater Hebbel am Ufer in Berlin. In addition to discussing the impact that the technologization and digitization of our lives has on the performing arts, Kittelmann and Vanackere talk about multiple intelligences and empathy.
Dr. Clara Meister is an international curator. Her curatorial work focuses on topics of translation, language, and music. In this conversation, Udo Kittelmann and Clara Meister explore the relationship between technology and nature, questioning technological progress and advocating more space for plant and other nonhuman intelligences in handling technological progress.
“Why are humans not content with themselves?” Alice Lagaay is a philosopher who is actively involved in developing performance as an interdisciplinary field of research. In this conversation on Jordan Wolfson’s animatronic sculpture Female Figure, Kittelmann and Lagaay discuss issues such as technological self-manipulation, the alluring and overwhelming qualities of machines, and the misogynistic aspects of the work.



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