ImPOSSIBLE

02 MARCH 

26 MAY 2024
 

Impossible—or not? ImPOSSIBLE shows how art and its multifarious modes of expression can give form to phenomena that are unattainable in reality.

This exhibition pays homage to the power of the imaginary and presents artworks that envision the impossible as an alternative way of approaching our increasingly deceptive reality—with a healthy dose of irony and humor. Including works ranging from Yves Klein and Sigmar Polke to renowned photographers Jeff Wall, Thomas Demand, and Andreas Gursky, from Anish Kapoor and Peter Fischli and David Weiss to younger artists such as Alexandra Bircken and Goshka Macuga, the show explores the very foundations of art and image-making, delving into the belief in art’s power and potential for displacing and creating everything—places and times, the proportions of things and their interconnections—anew.

Human imagination is opening up new worlds today, with mediazation and digitization inspiring a profusion of visual fantasies. The exhibition explores the different routes followed by artists who give their imagination free rein—in painting as well as in film and spatial installations. The result is a staging of the concentrated power of the imagination that touches on and thinks the impossible, securing substantial spaces of freedom for art in which subjective and artistic, serious and ironic, as well as social and political issues are addressed.

Belgian artist Wim Delvoye presents a Gothic-style truck, while his compatriot video artist David Claerbout reverses time, making a tree grow backward. Famed Conceptualist Yves Klein undertakes a seemingly risky attempt at flying, and photographer Andreas Gursky captures the exhilaration of speed in his monumental panoramas of Formula One races. They all experiment with unusual approaches to making images, enabling them to elegantly maneuver beyond the limitations of the laws of reality. 

The curator of the exhibition is Alexander Timchenko.

Unser Medienpartner:
impressions

Exhibition Film


Podcast

The audio guide of the Transformers show delves into the experimental and animated nature of this radical exhibition. In four in-depth conversations, exhibition curator Udo Kittelmann investigates aspects and issues regarding artificial intelligence. These stimulating and inspiring conversations explore often surprising thoughts on “what if” scenarios in a radically changed future.
Louisa Clement (b. 1987 in Bonn, Germany) graduated from Düsseldorf art academy in 2015. Will machines become our doppelgangers? In this conversation, Udo Kittelmann and Louisa Clement speak about digital footprints, adaptive AI, digital networks, and isolation, sharing thoughts equally intriguing and disconcerting about three-dimensional likenesses.
Annemie Vanackere is a Belgian festival curator and theater director. Since 2012 she has been the director and CEO of the theater Hebbel am Ufer in Berlin. In addition to discussing the impact that the technologization and digitization of our lives has on the performing arts, Kittelmann and Vanackere talk about multiple intelligences and empathy.
Dr. Clara Meister is an international curator. Her curatorial work focuses on topics of translation, language, and music. In this conversation, Udo Kittelmann and Clara Meister explore the relationship between technology and nature, questioning technological progress and advocating more space for plant and other nonhuman intelligences in handling technological progress.
“Why are humans not content with themselves?” Alice Lagaay is a philosopher who is actively involved in developing performance as an interdisciplinary field of research. In this conversation on Jordan Wolfson’s animatronic sculpture Female Figure, Kittelmann and Lagaay discuss issues such as technological self-manipulation, the alluring and overwhelming qualities of machines, and the misogynistic aspects of the work.



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