POETRY OF LIGHT

Richard Pousette-Dart
17 MAY  – 14 SEPTEMBER 2025
 

With the exhibition Poetry of Light, the Museum Frieder Burda is celebrating one of the great pioneers of Abstract Expressionism: the painter, sculptor and photographer Richard Pousette-Dart (1916–1992). Around 140 works from six decades provide an opulent overview of the multifaceted oeuvre of one of the most important artists of American postwar abstraction.

Alongside colleagues such as Jackson Pollock and Mark Rothko, Pousette-Dart played a prominent role in the formation of the New York School, which ushered in the international triumph of free abstraction in the 1940s. Like many artists in the orbit of Abstract Expressionism, he extensively dealt with themes such as myth, archaism, and spirituality. Early works bear witness to his keen interest in European painting of the interwar period. From the 1960s onwards, he turned to large-format all-over compositions – colorful and heavily textured images which typically confront the viewer with the immersive power of an environment. A constant in Pousette-Dart’s work was his lifelong fascination with the emotional power of light – light as shimmer and glean, light as a dazzling iridescent reflection or light as a radiant force associated with the release of boundless energy and the power of illumination. This interest particularly comes to the fore in the numerous late paintings that seem to mirror the spellbinding beauty of the night sky – but also in compositions for which he drew inspiration from the magnificent sheen of medieval metalwork and Gothic stained-glass windows. The visual appeal of reflective sheen also underpins the many brass objects, which Pousette-Dart created throughout his lengthy career: handcrafted items that blur the boundaries between avant-garde sculpture and jewelry and which provide a lexicon of elemental forms that frequently recur in the artist’s painted imagery.

The exhibition Poetry of Light is a collaboration with the Richard Pousette-Dart Foundation in New York and the largest and most extensive show devoted to this important player in American post-war abstraction outside the US. The focus on painting is complemented by a carefully curated selection of sculptures, objects, drawings, and photographs. Among the many highlights of the exhibition are masterpieces of Abstract Expressionism which are made available by the Brooklyn Museum, the Museum of Modern Art, and the Whitney Museum of American Art in New York.

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Exhibition Film


Audioguide

The audio guide of the Transformers show delves into the experimental and animated nature of this radical exhibition. In four in-depth conversations, exhibition curator Udo Kittelmann investigates aspects and issues regarding artificial intelligence. These stimulating and inspiring conversations explore often surprising thoughts on “what if” scenarios in a radically changed future.
Louisa Clement (b. 1987 in Bonn, Germany) graduated from Düsseldorf art academy in 2015. Will machines become our doppelgangers? In this conversation, Udo Kittelmann and Louisa Clement speak about digital footprints, adaptive AI, digital networks, and isolation, sharing thoughts equally intriguing and disconcerting about three-dimensional likenesses.
Annemie Vanackere is a Belgian festival curator and theater director. Since 2012 she has been the director and CEO of the theater Hebbel am Ufer in Berlin. In addition to discussing the impact that the technologization and digitization of our lives has on the performing arts, Kittelmann and Vanackere talk about multiple intelligences and empathy.
Dr. Clara Meister is an international curator. Her curatorial work focuses on topics of translation, language, and music. In this conversation, Udo Kittelmann and Clara Meister explore the relationship between technology and nature, questioning technological progress and advocating more space for plant and other nonhuman intelligences in handling technological progress.
“Why are humans not content with themselves?” Alice Lagaay is a philosopher who is actively involved in developing performance as an interdisciplinary field of research. In this conversation on Jordan Wolfson’s animatronic sculpture Female Figure, Kittelmann and Lagaay discuss issues such as technological self-manipulation, the alluring and overwhelming qualities of machines, and the misogynistic aspects of the work.



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