Art and Literature Workshop
WRITING AND CREATING WITH NATURE IN THE ANTHROPOCENE
- Workshop in English -
An event with workshops and a panel discussion at our Berlin stellite space, Salon Berlin.
For a free ticket please call 0049 (0)30 240 47404 or email us at salon(at)museum-frieder-burda.de
Please choose a workshop for Saturday morning, August 18th and register via email: salon(at)museum-frieder-burda.de or phone 0049 (0)30 24047404. After registration you will receive a confirmation email.
(please choose one of the following)
10.30 a.m. to 1 p.m.
NATURE WRITING WITH NANCY CAMPBELL
11 a.m. to 12 p.m.
NATURE PAINTING WITH FLAVIO DE MARCO
11 a.m. to 12 p.m.
SMELL EXPERIENCE WITH SISSEL TOLAAS
The meeting points for the artists’ studio visits
will be announced via email after registration.
3 p.m. to 4.30 p.m.
ARTS ACTIVISM: WRITING AND CREATING
WITH NATURE IN THE ANTHROPOCENE
NANCY CAMPBELL, FLAVIO DE MARCO & SISSEL TOLAAS
GET-TOGETHER WITH THE SPEAKERS FOR DRINKS
& STONE OVEN BAKED PIZZA AT THE HISTORICAL
Menu, incl. soft drink: 25,00 €
(to be paid at the venue on the day of the event)
In case of questions or the need for further information please call 0049 (0)30 240 47404 or email us at salon(at)museum-frieder-burda.de.
Back to Nature?
13. April - 18. August 2018
New Nature – Super Human? Digitization is demanding its tribute, the Anthropocene has long since begun – and God has served his purpose: mankind shapes the earth, our bodies become modular construction kits. Now, when we humans experience ourselves as the creators of our own reality, will we be able to continue to cultivate our own liveliness and thus keep alive the connection between all life on our planet, as the famous naturalist Alexander von Humboldt (1769–1859) once formulated for our understanding of nature?
From the return to aesthetization to the futuristic vision: The current exhibition at the Salon Berlin reflects a whole variety of artistic strategies that allow us to experience our current alienation from nature and from ourselves. In the age of digitization artists like Camille Henrot or Laure Prouvost seek contemporary approaches to nature: a longing for unification, for idealization speaks from their works, which resonate with sensuous, almost childlike experience. Sissel Tolaas has created an olfactory archive of ocean smells, which awaken quite subjective memories of the sea and represents a snapshot full of geographical, cultural and historical references. She also confronts us with our growing fear of smell, which is causing us to gradually lose one of our most important senses.
Tue Greenfort formulates a firm commitment to nature and the interconnection of all life beyond mere dichotomy, teasing out nature’s aesthetic potential not least from scientific approaches. The digitally rendered terrains of Timur Si-Qin`s New Peace series (2017) advance a philosophy of immanence and propose a new “Protocol” for understanding one’s place in the vastness of time and space. A faith of the real; a mysticism and meaning for a world in the grip of the Anthropocene to foster a spiritual relationship with the infinite creativity of pattern, matter and energy.
On the other hand, David LaChapelle offers us a speculative look into the future. His petrol stations, overgrown with tropical rainforest and coming across like the artificial settings of mystery films, show human architectures that will be forgotten in a post-human future. Nikita Shalenny’s virtual-reality work The Bridge (2017) takes us into a world at the end of time in which schematic silhouettes of naked people run for their lives through ghostly empty landscapes, dead forests and abandoned oil pumps. Even Tim Eitel’s figures on a boat no longer sail towards a morbid-romantic island, but into nothingness and at the same time a wall. Both works today inevitably recall global challenges such as the current refugee crisis, repressive totalitarian systems and the ongoing destruction of the environment. The painter Flavio de Marco once again takes us on a journey through landscapes of a digitized world in which our perception is characterized by omnipresent screens, filters and stereotyped images, while authenticity and the aura of an original lose their meaning.
And through this scenario drifts almost heroically the timeless wanderer, as we can experience him in Georg Baselitz's imagery, fighting his alienation from nature, which he nevertheless considers his home.
Back to Nature? is the first exhibition as part of an ongoing interdisciplinary workshop, which explores the question of what contribution art can make in the context of social, political and ecological debates. In collaboration with Parley for the Oceans, the Salon Berlin initiates a series of conversations, which discuss the need for a more complex understanding of nature.
Museum Frieder Burda I Salon Berlin
Salon Berlin is Museum Frieder Burda’s new exhibition and project space at the Auguststraße 11- 13 in Berlin. Closely connected with the Museum in Baden-Baden, Salon Berlin, under the curatorial direction of Patricia Kamp, presents the diverse aspects of the museum programme and the Frieder Burda Collection. The exhibition space sees itself as a forum for international contemporary art, both a showroom and a space for experimentation for Museum Frieder Burda.
MUSEUM FRIEDER BURDA | Salon Berlin
Tel.: 0049 (0) 30 240 47404
Artistic director: Patricia Kamp
Office Manager Salon Berlin / Assistant to the Artistic Director: