{"id":2355,"date":"2026-09-04T17:13:35","date_gmt":"2026-09-04T15:13:35","guid":{"rendered":"https:\/\/preview.museum-frieder-burda.de\/ausstellung\/katharina-grosse\/"},"modified":"2026-09-04T18:55:19","modified_gmt":"2026-09-04T16:55:19","slug":"katharina-grosse","status":"publish","type":"ausstellung","link":"https:\/\/www.museum-frieder-burda.de\/fr\/ausstellung\/katharina-grosse\/","title":{"rendered":"KATHARINA GROSSE"},"content":{"rendered":"\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><\/figure>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n\n\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">En montrant l'\u0153uvre peint de Katharina Grosse, le Mus\u00e9e Frieder Burda poursuit sa s\u00e9rie d'expositions monographiques consacr\u00e9e \u00e0 des artistes de renom international. Comptant parmi les artistes majeures de sa g\u00e9n\u00e9ration depuis de nombreuses ann\u00e9es, Katharina Grosse occupe ainsi dans ce cadre une place de premier plan. Dans sa peinture, elle se lib\u00e8re de la surface sous toutes ces formes, rompt avec elle et la d\u00e9passe pour en faire sa raison de peindre. Elle int\u00e8gre donc par principe m\u00eame toutes les surfaces de la pi\u00e8ce \u2013 les murs, le plafond, le sol \u2013 tout comme les corps et les objets se trouvant dans cet espace.   <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dans l'exposition du Mus\u00e9e Frieder Burda, Katharina Grosse se concentre sur les panneaux peints ; s'il s'agit d'une une forme de support plut\u00f4t classique, elle a toutefois bien souvent recours \u00e0 des dimensions et des formats d'une ampleur jusqu'ici in\u00e9dite. C'est le traitement pictural par lequel elle a ouvert la voie \u00e0 de nouveaux tableaux qui est d\u00e9cisif. Par le biais de structures articul\u00e9es telles des lignes et hachures parall\u00e8les, tout comme de couleurs appliqu\u00e9es au pistolet, ses surfaces peintes semblent \u00e9voluer de diverses mani\u00e8res : parfois plus concr\u00e8tes et denses, parfois floues et ind\u00e9finissables. De tels tableaux provoquent chez le spectateur une sorte de saisissement, dont le contrecoup se ressent pratiquement physiquement.   <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Katharina Grosse quitte souvent les limites du rationnellement descriptible au profit de l'effet direct produit par le d\u00e9grad\u00e9 des couleurs, par les formes qui apparaissent en se soustrayant \u00e0 la description, et par les espaces insoup\u00e7onn\u00e9s que fait alors na\u00eetre sa peinture. Ainsi, la monumentale installation \u00ab Sans titre (Ellipse) \u00bb datant de 2009 cr\u00e9e un lieu autonome dont la forme sph\u00e9rique et ovale, et tout simplement les dimensions, assurent \u00e0 l'\u0153uvre sa pr\u00e9sence particuli\u00e8re. Haute de plus de sept m\u00e8tres et large de dix, elle s'affirme en tant qu'espace autonome face \u00e0 l'architecture m\u00eame du mus\u00e9e.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La mise en perspective de sa peinture avec l'architecture de Richard Meier souligne le contraste entre rationalit\u00e9 et utopie. Les limites de la pi\u00e8ce, en l'occurrence du \u00ab White Cube \u00bb, sont abolies au profit d'un dialogue avec les formes color\u00e9es qui se met en place non seulement dans chacun des tableaux mais plus encore entre les diff\u00e9rents tableaux eux-m\u00eames. Cette exposition est en effet comme un arc tendu entre les tableaux des d\u00e9buts de la carri\u00e8re de Katharina Grosse dans les ann\u00e9es 90 et ceux r\u00e9alis\u00e9s aujourd'hui, et l'architecture privil\u00e9giant les espaces ouverts met au jour de fascinantes correspondances visuelles.   <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le catalogue qui accompagne l'exposition vise \u00e0 \u00e9clairer cette tension narrative et permet de rassembler pour la premi\u00e8re fois plus de cent reproductions en couleur des tableaux de Katharina Grosse. Compl\u00e9t\u00e9 par des essais de Katrin Dillkofer et Helmut Friedel, il est publi\u00e9 par la maison d'\u00e9dition de la librairie Walther K\u00f6nig.<br\/> <br\/>  <\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>En montrant l&rsquo;\u0153uvre peint de Katharina Grosse, le Mus\u00e9e Frieder Burda poursuit sa s\u00e9rie d&rsquo;expositions monographiques consacr\u00e9e \u00e0 des artistes de renom international. Comptant parmi les artistes majeures de sa g\u00e9n\u00e9ration depuis de nombreuses ann\u00e9es, Katharina Grosse occupe ainsi dans ce cadre une place de premier plan. Dans sa peinture, elle se lib\u00e8re de la &#8230;<\/p>\n","protected":false},"featured_media":2352,"template":"","meta":{"_acf_changed":false,"footnotes":""},"exhibitiontype":[],"class_list":["post-2355","ausstellung","type-ausstellung","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>KATHARINA GROSSE | Museum Frieder Burda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.museum-frieder-burda.de\/ausstellung\/katharina-grosse\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KATHARINA GROSSE | Museum Frieder Burda\" \/>\n<meta property=\"og:description\" content=\"En montrant l&#039;\u0153uvre peint de Katharina Grosse, le Mus\u00e9e Frieder Burda poursuit sa s\u00e9rie d&#039;expositions monographiques consacr\u00e9e \u00e0 des artistes de renom international. 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