JR – ADRIAN PIPER – RAY JOHNSON

25. April - 5. August 2019

JR – ADRIAN PIPER – RAY JOHNSON, Museum Frieder Burda | Salon Berlin, 25. April – 5. August 2019 © Museum Frieder Burda | Salon Berlin

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Adrian Piper, The Humming Room, 2012. Exhibition instruction. Pencil on graph paper with digital texts. 8,5″ x 11″ (21,59 cm x 27,94 cm). Collection of the Adrian Piper Research Archive Foundation Berlin © APRA Foundation Berlin

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Installation view of Adrian Piper, The Humming Room, 2012. Voluntary group performance: full-time museum guard, emptyroom equipped to echo, and two text signs, one above the door and one adjacent. Dimensions variable. Installation: JR – ADRIAN PIPER – RAY JOHNSON, Salon Berlin, Museum Frieder Burda, 24. April – 5. August 2019. Photo: Thomas Bruns. Collection of the Adrian Piper Research Archive (APRA) Foundation Berlin © APRA Foundation Berlin

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Installation view of Adrian Piper, The Humming Room, 2012. Voluntary group performance: full-time museum guard, emptyroom equipped to echo, and two text signs, one above the door and one adjacent. Dimensions variable. Installation: JR – ADRIAN PIPER – RAY JOHNSON, Salon Berlin, Museum Frieder Burda, 24. April – 5. August 2019. Photo: Thomas Bruns. Collection of the Adrian Piper Research Archive (APRA) Foundation Berlin © APRA Foundation Berlin

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Installation view of Adrian Piper, The Humming Room, 2012. Voluntary group performance: full-time museum guard, empty room equipped to echo, and two text signs, one above the door and one adjacent. Dimensions variable. Installation: JR – ADRIAN PIPER – RAY JOHNSON, Salon Berlin, Museum Frieder Burda, 24. April – 5. August 2019. Photo: Thomas Bruns. Collection of the Adrian Piper Research Archive (APRA) Foundation Berlin © APRA Foundation Berlin

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Installation view (from left) of Adrian Piper, My Calling (Card) #3: Guerrilla Performance for Disputed Territorial Skirmishes, 2012, white business card printed on both sides with black text. 5,5 cm x 8,5 cm. Collection of the Adrian Piper Research Archive (APRA) Foundation Berlin © APRA Foundation Berlin. Ray Johnson, Fingerrnail Table, 1973, collage on illustration board. Ray Johnson Estate © Ray Johnson Estate, New York 2019. Installation: JR – ADRIAN PIPER – RAY JOHNSON, Salon Berlin, Museum Frieder Burda, 24. April – 5. August 2019. Photo: Thomas Bruns.

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Installation view of Adrian Piper, My Calling (Card) #3: Guerrilla Performance for Disputed Territorial Skirmishes, 2012, white business card printed on both sides with black text. 5,5 cm x 8,5 cm. Installation: JR – ADRIAN PIPER – RAY JOHNSON, Salon Berlin, Museum Frieder Burda, 24. April – 5. August 2019. Photo: Thomas Bruns. Collection of the Adrian Piper Research Archive Foundation Berlin © APRA Foundation Berlin.

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Installation view of Adrian Piper, My Calling (Card) #3: Guerrilla Performance for Disputed Territorial Skirmishes, 2012, white business card printed on both sides with black text. 5,5 cm x 8,5 cm. Installation: JR – ADRIAN PIPER – RAY JOHNSON, Salon Berlin, Museum Frieder Burda, 24. April – 5. August 2019. Photo: Thomas Bruns. Collection of the Adrian Piper Research Archive Foundation Berlin © APRA Foundation Berlin.

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Installation view: JR, Eyes on boat, 1455 containers (detail), 2018, wooden boat, plastic containers, stainless steel table, cranes in stainless steel and aluminum. Courtesy the artist and Perrotin. Photo: Thomas Bruns

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Installation view: JR, Eyes on boat, 1455 containers (detail), 2018, wooden boat, plastic containers, stainless steel table, cranes in stainless steel and aluminum. Courtesy the artist and Perrotin. Ray Johnson, Untitled (Ray Staring with Vintage Car), not dated, collage on Masonite, Ray Johnson Estate © Ray Johnson Estate, New York 2019. Photo: Thomas Bruns

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Installation view: JR, Eyes on boat, 1455 containers, 2018, wooden boat, plastic containers, stainless steel table, cranes in stainless steel, courtesy the artist and Perrotin. Ray Johnson, Untitled (Ray Staring with Vintage Car), not dated, collage on Masonit, Ray Johnson Estate © Ray Johnson Estate, New York 2019. Photo: Thomas Bruns

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Installation view: JR, Eyes on boat, 1455 containers, 2018, wooden boat, plastic containers, stainless steel table, cranes in stainless steel and aluminum and Women Are Heroes, Elizabeth Kamanga on sea, Quadrichromie, Le Havre, France, 2018, four color print on paper, mounted on cotton canvas, wooden frame. Courtesy the artist and Perrotin. Photo: Thomas Bruns

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Installation view: Ray Johnson, Untitled (Horse with Snail), 1993+, collage on round cardboard panel, Untitled (Key with Text “Mood Just Pen Some Lines to Me”), ca. 1979, collage on illustration board, Untitled (The Queen’s Fingernails), 1973, collage on illustration board, Untitled (Long - Collage), 1993, collage on corrugated cardboard. Ray Johnson Estate © Ray Johnson Estate, New York 2019. Photo: Thomas Bruns

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Installation view: Ray Johnson, Untitled (Richard Feigen Silhouette with Tesserae Snake), 1979, collage on cardboard and Untitled (Richard Feigen and Eleanor Ward Meet Miss Subways), 1979, collage on cardboard, Museum Frieder Burda, BadenBaden. Ray Johnson, Untitled (Golf Balls with Brick Snake), 1986, collage on Masonite, Untitled (Please Send to Joseph Beuys), ca.1980-90, collage on cardboard panel, Untitled (Paik in Studio), 1984–94+, collage on cardboard panel, Gertrude Stein Pinking, 1971, collage on cardboard, Henry Ford II (belt buckle), 1988, collage, Untitled (Barbra Streisand), 1976–91+, collage on illustration board, Ray Johnson Estate © Ray Johnson Estate, New York 2019

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Installation view: Ray Johnson, Untitled (Horse with Snail), 1993+, collage on round cardboard panel, Untitled (Key with Text “Mood Just Pen Some Lines to Me”), ca. 1979, collage on illustration board, Untitled (The Queen’s Fingernails), 1973, collage on illustration board, Untitled (Long - Collage), 1993, collage on corrugated cardboard. Ray Johnson Estate © Ray Johnson Estate, New York 2019. Photo: Thomas Bruns

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Installation view: Ray Johnson, Untitled (Paul - Fourteen Snakes), 1975 – 90, collage on Masonite, Untitled (Turtle with Shoe Moticos), 1970 – 86+, collage on illustration cardboard, Untitled (De Spider), 1978 – 91, collage on illustration board, Ray Johnson Estate © Ray Johnson Estate, New York 2019. Ray Johnson, Seahorses, 1972, collage/cardboard, Museum Frieder Burda, Baden-Baden © Ray Johnson Estate, New York 2019. Ray Johnson, Untitled (Fred Astaire Cornell’s Daffodil), 1972 – 91+, collage on cardboard panel, Betty Grable / Harry James, 1972, collage on cardboard panel, Ray Johnson Estate © Ray Johnson Estate, New York 2019. Photo: Thomas Bruns

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Collaboration Museum Frieder Burda | Salon Berlin x Ray Johnson Project featuring the New York Correspondence School (NYCS)

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Installation view: Ray Johnson, Untitled (Picasso Queen), 1973, collage on cardboard, Museum Frieder Burda, Baden-Baden © Ray Johnson Estate, New York 2019. Ray Johnson, Untitled (Crab Head with Dollar Bill), 1993 – 1994, collage on cardboard panel, Untitled (SALE, Ceci n’est pas une pipe), 1974 – 91, Acrylic, ink, collage, vintage photography, graphite on illustration board, Ray Johnson Estate © Ray Johnson Estate, New York 2019. Photo: Thomas Bruns

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Installation view: Ray Johnson, Untitled (Bunny List with Tesserae), 1978 – 88, collage on Masonite. Ray Johnson Estate © Ray Johnson Estate, New York 2019. Photo: Thomas Bruns

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Ray Johnson, Fingernail Table, 1973, collage on illustration board. Ray Johnson Estate © Ray Johnson Estate, New York 2019

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Ray Johnson, Seahorses, 1972, collage on cardboard, Museum Frieder Burda, Baden-Baden © Ray Johnson Estate, New York 2019

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Ray Johnson, Untitled (Bunny List with Tesserae), 1978-88, collage on Masonite. Ray Johnson Estate © Ray Johnson Estate, New York 2019

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Ray Johnson, Untitled (Ray Staring with Vintage Car), not dated, collage on Masonite, Ray Johnson Estate © Ray Johnson Estate, New York 2019

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Ray Johnson, Untitled (Crab Head with Dollar Bill), 1993-94, collage on cardboard panel, Ray Johnson Estate © Ray Johnson Estate, New York 2019

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